Lloyd Kaufman Filmography— Page 4
Evocateur: The Morton Downey Jr. Movie (2013)
- 87 minutes (1 hour 27 minutes)
- Documentary
- 6.8/10 (1037 votes)
Long before O'Reilly and Beck, Morton Downey, Jr., was tearing up the talk-show format with...
Adjust Your Tracking: The Untold Story of the VHS Collector (2013)
- 84 minutes (1 hour 24 minutes)
- Documentary
- 7.0/10 (904 votes)
Adjust Your Tracking is a feature-length documentary film directed by Levi "Dabeedo" Peretic and Dan...
LolliLove (2004)
- 64 minutes (1 hour 4 minutes)
- Comedy
- 6.1/10 (1546 votes)
Mockumentary about a wealthy couple who set out to make a difference in the lives...
42nd Street Memories: The Rise and Fall of America's Most Notorious Street (2015)
- 82 minutes (1 hour 22 minutes)
- Documentary
- 7.6/10 (213 votes)
The story behind the rise and fall of New York's 42nd Street. The cinemas, the...
The Barn Part II (2022)
- 94 minutes (1 hour 34 minutes)
- Horror
- 5.3/10 (369 votes)
“This Halloween no one can stop the harvest...”
Creep Van (2012)
- 90 minutes (1 hour 30 minutes)
- Horror
- 4.0/10 (1213 votes)
Forced to team up with a sleazy conman to hunt down and stop the murderous...
Apocalypse Soon: The Making of 'Citizen Toxie' (2002)
- 137 minutes (2 hours 17 minutes)
- Documentary
- 7.9/10 (221 votes)
What do you get when an eccentric director forces 300 actors and crew to sleep...
All the Love You Cannes! (2002)
- 108 minutes (1 hour 48 minutes)
- Documentary
- 6.5/10 (372 votes)
Troma, an off the wall film studio, journeys to the Cannes Film Festival to sell...
Greetings from Tromaville! (2017)
- 130 minutes (2 hours 10 minutes)
- Documentary
- 7.1/10 (134 votes)
Greetings from Tromaville follows the history of Lloyd Kaufman and Troma Entertainment. Lloyd, along with...
The First Turn-On! (1983)
- 88 minutes (1 hour 28 minutes)
- Comedy
- 4.3/10 (911 votes)
A group of teenage summer campers and one counselor share the stories of their first...
VHS Massacre Too (2020)
- 77 minutes (1 hour 17 minutes)
- Documentary
- 6.1/10 (94 votes)
“The last stand of the American exploitation film”